Composer for ballet, tv, film and theatre
Peter Salem’s original score is excellent. He is able to capture mood, and the motif of a ticking clock works well to express tedium. His swirling, romantic ballroom music, his menacing Lheureux sections, and his rapturous duet are wonderful. As they say, like hand to glove, score to story.
Paula Citron / ludwig-van
… Peter Salem’s score is a crucial narrative ingredient, both in it’s graphic sound effects and in the musical colours of it’s fractured percussion and insinuating jazz
Judith Mackrell / The Guardian